Wednesday, August 31, 2011

Crewcified For Your.....Watery Love New 7"!


Another two shots of bilious commentary courtesy of Philadelphia's best band at the moment. The A-side is penned by Richard Charles; a litany of condescending, sneering lyrics behind the roar of what sounds like the gear shaft of a Kensington garbage truck being stripped out & blazing a path of fire down Girard Ave. You know, the kind of good timey tunage you can only light up somewhere between Mecht Mensh & Iron Cross. The flip is an interpretation of a song written by Louis Allan Reed. But Watery Love's cover eschews all manner of hip, uptown vibrato found on the original, preferring to accessorize their stud w/the leather & switchblade swagger needed in a sketchy, downtown milieu. You know, the kind of controlled lunacy you can only sniff out somewhere between John Cale & Chain Gang. Thick black vinyl pressing housed in a sweet high gloss sleeve. One time edition of 330. Prices are as follows;

US-8$ ppd
Canada- 9$ ppd
Elsewhere-12$ ppd

Paypal to; sltrx@pil.net

Saturday, July 09, 2011

What The Scrivener Saw.....Dan Melchior Und Das Menace Tour Diary!




When "Reese" (my nickname for Nigel Rees-Moog) informed me he was taggin along w/Melchior & co. for a potential tour diary, I informed him I'd be only too eager to publish his musin's, should he bring them to fruition.And thusly he followed through. Scintillating stuff to be sure! But I'd expect no less for ol' Reese. The man can lock you in w/a narrative.Why, there was the time we was at a post United Nations somethingorother & Reese had an entire table captivated by this tale of a rice puddin he'd ate at some diner in New Jersey. A Greek diner to be specific. He went into the whole history of Greeks & rice puddin & they's penchant for diner cuisine in the US. He even had a theory why the Chinese weren't no good at it. Seein as how rice come from the orient (he opined), you'd think something like that would be as natural as a bowel movement to'em. Reese says while the Chinese might've invented gunpowder, they sure didn't know the 1st thing about blowin up rice! He reckons some Greek fella just keep boilin his rice one day till them little kernel's just exploded. And forthwith you got all this meltin starch, add some milk, cinnamon & what have you's then before you know it, presto! Just about the best desert an Englishman could ever ask for. Stateside anyway. And he got the table of us laughin pretty good about the irony of how the Greeks could civilize the western world, but they could not make a hash brown potato edible if they's lives depended on it. Ain't THAT the truth!
Anyways, Reese is a truly fine citizen of the world & I'm happy to have him aboard this one time.

Your Editor,

Roland Woodbe

*The above artist rendering of Nigel Rees-Moog is unknown. Disclaimer - Any resemblance to the late Lord Lucan is entirely hereditary.

'The Tour'
By Nigel Rees-Moog.


When I was invited along on the Dan Melchior Und Das Menace European tour as chief scribe, and procurer of petrol station victuals,
I was obviously honored. I have known Dan for 20 years or so, having attended a rather low wrung Art School with him in the early 90's -
and have followed the arc of his myriad releases ever since. I felt it was an offer not to be scoffed at, after all, how often does one get to spend time
with a genuine underground 'Bluespunk' combo on the road? Oh the shenanigans! I was sure that much malfeasence and debauchery would soon
be afoot, and I would be the one to immortalise it all. My very own 'Hammer of the Gods'! (how wrong I was)


On the days before the upcoming voyage I stocked up on the things I knew would be hard to find abroad (cornish pasties, baked beans,
marmite, jellied eels) and threw caution to the pungent continental wind. You know what they say - When in Rome! I bought a pair of
espadrilles, a hooped jersey and a bavarian hat just to have all bases covered (not being sure what constitutes Belgian national dress)
and on the 13th of May I was as prepared as a man can be for such things, and went to meet up with the U.S contingent in Barcelona.


Day One.


I met the others at the airport in and was immediately taken aback by their somewhat stoic countenance. It was true that
the drummer was highly enthusiastic about eating native meats and cheeses, (all pronounced with 'authentic' guttural cadence) and giving anyone
who would listen a history lesson in whatever passed before his dazzled gaze, but other than that I sensed none of the 'Hard day's night'
like devil-may-care attitude that I had been expecting. The keyboard player seemed like a man of distinction, and I was somewhat assured
by his presence. Dan's wife too, had an air of 'get it done' American resourcefulness, and I thanked god that organisational things would not be left
to Dan or I to deal with (I had been present once when he was trying to renew his passport, and the experience did not bode well) As for myself,
I felt I was up to buying some sandwiches, and jotting down this account, but not much else.


We set off to rent the van and equipment, and within an hour we were on the road. Just like 'Keroauc' but without the drugs, or enthusiasm.
It was a long drive to Lyon, and when it turned out that there was no way of plugging in an ipod to the car stereo, the more modern of us
were confounded. Luckily Dan had brought along a copious amount of Cds, and we were treated to an endless stream of obscure and abrasive
noise that seemed to find little favor with anyone in the van other than Dan himself.
On pulling into the parking lot of the Lyon venue we were met with the greeting 'You are very late'. I jumped out of the van looking for the green
room, and was bewildered to learn that such a place did not exist. I was then handed a lukewarm can of French beer and directed towards a table from
which food that would seem to have been almost entirely made out of garlic was being doled out. I gave it a miss, and got to work ingesting
tepid lager.


The show started around 10.00, and Dan's rented amp had stopped working by 10.10.
Letha (Dan's wife) immediately showed the resourcefulness I had spotted in her, by plugging Dan's guitar into her amp. The show went on, but without her, unfortunately. What a brick!
The rest of the show went off without a hitch, and when Das Menace had finished, a trio of very serious French men in black sweaters got up on stage and started twiddling knobs. The result would be best described as 'Whitehouse lite' (though mercifully free of mincing 'power' vocals) No one in our entourage was spellbound by the spectacle, or it's resulting din, and we soon set off in search of more warm beer.


Day Two.


There was no 'gig' to play today, so it was a late start.
I had un-judiciously partaken in a French Whisky called 'Sir Robert Peel' the night before, and started the day with what the French call 'Mal aux Cheveux'
The fact that the French are not well known for their Whisky is no longer a mystery to me.


We made our way hastily to Calais, where we were to take the 11.30pm ferry. I felt a bit of a fool crossing back over the channel to Blighty so quickly after my
initial flight, but I was still quite hopeful for some 'Shark insertion' type hi-jinks, so I felt I ought to tag along even though, as Dan said 'Nobody in London likes us' The ferry was largely deserted except for a few drunken oiks who insisted on sitting uncomfortably close to our party. Still, it never fails to rouse a little bit of patriotic pride in one to see the white cliffs of Dover emerging from the murk, and it is always nice to observe that Dover does smell a little less like shit than Calais.


Day Three.


London was as over cast as usual.
The journey into town went quite smoothly until we hit the Great Western Road, and were mired in the inevitable gridlock.
The show was at Ryan's Bar, Stoke Newington (of which Alexie Sayle famously said -'Have you ever seen the 'What's on' Section of the Stoke Newington Gazzette? It's a big piece of paper with 'Fuck All!' written on it') and our contact was Russell of the Pheromoans/Bomber Jackets. He was a charming fellow, with a dry sense of humour much to my liking, and his offer of a pint of Bombardier was most gratefully accepted.
It quickly became clear that the organisation of the night's events was suffering from what those in big business call a 'power vacuum' though. There would be no sound man for the night, and no one working at the bar seemed even remotely interested that we would be playing there. We carried the many heavy pieces of equipment (some of which were not even functioning) down the steep and precarious staircase, while Tony (keyboard king) and Matt (drum banger) went off to park the car. They didn't return for at least two hours, during which time I got drunk enough to seek solace in a battered sausage and chips.


The show was a mixed blessing at best.
The Bomber Jackets played a great set, augmented by a spiffing female drummer who used those drum pads that were so popular in the 1980's.
Our man Russell sat hunched over his mic, spinning his tales of mundane profundity, while Dan the keyboard man made varied and exciting sounds on various tiny casio devices. It was extremely good, though I'm not sure the audience noticed.
Next up were Spin Spin the dogs - who I was informed hailed largely from the land of Robin Hood. I would like to be able to say something positive about them, but as I am not likely to bump into them any time soon (stoke newington being a place I would not set foot in unless I was forced to do some kind of court ordered
community service there) I will tell the truth. They were dreadful musically, and hateful personally. Their music reminded me of nothing so much as a bored wedding band tackling the That Petrol Emotion songbook (if this means nothing to you, you are lucky) I vacated the basement and entertained myself with watching a Greek football match in the bar.
Das Menace played a great set, blasting the sparse and stoic audience with shards of noise that they seemed largely unable to process. House music and Oasis seem to have neutered the English's previously highly developed sense of aesthetics, and one can only harbor a sense of loss at this development. Would these
wooden people have heralded a Barrett era Floyd, or Vertical Slit performance if it'd been presented to them? I very much doubt it.


We all retired to Christian's (Pheromoan's guitarist) house, where much fun was had, and many interesting records listened too.
By the time I decided to retire, a conversation about George Lucas had begun to gain momentum. Sensing that things were rapidly going pear shaped I made my excuses, and wandered off to sleep in the bathtub like John the scouse.


Day Four.


The next day we drove down the road to the Stag's head public house.
The Americans were all very cheered by the ambience of said establishment, as it was (relatively) old, wooden, and unspoiled by the prevailing Starbucks design aesthetic.
Once again no sound man was present, and the organiser of the event was indignant with rage about something or other. Rumor had it that some of the bands on the bill were not 'beat' enough for him, and to that I can only say 'Hard cheese!'
We chose to drink in the snug bar instead of placating him with glib flattery, and the Pheromoans were good companions in this.


After scoffing down a ropey kebab at a dump across the road, I came back to find the first band in full swing. I heard some muffled Flat duo Jets like warble
through the bathroom wall whilst taking a long overdue leak, but by the time I came out they had stopped playing. I will not venture an opinion on their set, as it would be presumptious of me to do so (I'm no Everett True, after all)
The Pheromoans were next up, and while I must admit that I was predisposed to like them, they certainly made it easy to do so. A great band, if I do say so.
I never saw the Door and the Window play (too busy at the ashram) but I imagine it would've had a similarly skewed trajectory. It rocked, but obliquely.


Das Menace shaped up to the task again, and blasted all and sundry with a dose of good old sonic violence. There was much guitar wailing, and I think a couple of those in attendance even liked it.
We packed up hastily and beat a retreat to Dan's parents house in the sticks. I have never been as grateful for the use of a twin bed with clean sheets in my life.


Day Five.


There was no gig today. I went for a walk by the river and threw some bread at a swan.


Day Six.


Wake up/Drive/Ferry/Drive/Belgium.


What a strange town! Kortrijk! - the venue has a urinal that stands slap bang in the middle of the backstage area. The Belgians buy records after the show
and prop them up on the top of the urinal whilst taking a piss.
There is much strong, dark beer, and much discussion of the European monetary system.
A sign in the house we are all staying in says 'Puerto Rican showers only'. It is hard to imagine that many Puerto Ricans pass through Kortrijk, and it also hard to say why their showering habits should be so much more notorious in Belgium that they are in the USA. I suppose someone saw something on television. It's a curious phenomenon, this 'cultural misappropriation'
Still, it's a very clean house, and the people are extremely nice and appreciative of loud and abrasive music.
I take one of the top bunks, and lay awake all night listening to the four members of the band snoring in unison - another concert, just for me!


Day Seven.


Off to Germany. Why does my scrotum seem to recede into my body slightly at this prospect?
It's true that my Grandmother's house was flattened by a German bomb in WW2, but it is something apart from that.
The language? Perhaps. The leiderhosen? I don't know. Perhaps it's that dreadful woman I worked for in that restaurant in Windsor. I'm sure she could've secured a high rank in the SS if she had been born 60 years earlier, and such things had been permitted.


I will spare you a description of the Northern German countryside. Suffice to say it looks a lot like Ohio. No big surprise there.


We were playing in Hamburg, and not just Hamburg, but the Reeperbahn.
If you have ever been to Amsterdam then just imagine what that place would look like if a bomb hit it, all the decent looking prostitutes escaped, and the place was invaded by severely sunburnt, obese androids with blonde flat tops and eighties style leather jackets. You are now halfway to visualising the hell of the reeperbahn. Add a layer of filth 2 inches deep and aimlessly rendered US style graffiti to every imaginable surface, and you are getting closer.
Every five minutes or so one is forced to vacate the street as a group of drunken storm troopers come rolling by on a 'beer bike' This is a small bar mounted on a multi person bicycle which is hired out by germans celebrating an upcoming wedding. The barman steers, whilst serving the grinning simpletons seated at the bar ridiculously alcoholic lager. What fun!


The club (as usual) was several flights of dangerous stairs underground - and to add to the fun, no one knew where the light switch was!
Still, once we settled in, there was at least sound man present.
Our contact, Jens took us all back to his apartment and fed us pasta and wine, which was much appreciated. The giant New York Dolls mural on the wall was slightly disconcerting, and Dan's championing of Neu, Faust, Can and La Dusseldorf was met with mild incredulity. We were in Garage country, and something told me that the band would not find a lot of favour amongst this crowd.


We made a way down to the club in much the same manner as a man makes his way to the gallows.
The show was good (no support) but some of the sparse crowd were scandalised at it's brevity. I heard Tony being berated by a bespectacled German -
'But why are you only playing 7 songs? This is not good practice I think'
'The set lasted 40 minutes'
'I paid 5 euros, and this is not standard practice'
'Well, what can I say?'
'I thought your music was okay, though it lacked dynamics, and the guitar person was not very engaged'
'Well, why would you want to hear more then?'
'I paid my 5 euros for US garage, and 7 stoner jams is not good practice'
and so on..........


Day Eight.


Leaving Hamburg was like being giving an 11th hour reprieve. I felt more alive, and the air was sweet. Things could only get better!
The scenery remained banal, but the trees seemed to get greener as we left the environs of the 'fetid city'


Munster was interesting.
I was given some very dirty looks when I crossed the road against a red light, and the profusion of kebab shops was just as high as it was in Hamburg.
(Thank god for our Indian Empire!) Still, it was very, very clean.
The venue was a veritable wonderland, with soundmen, promoters, flyers, posters, fans and everything else one may reasonably expect.
The band played, (Great version of ATV's 'Splitting in Two') and orderly lines were formed to buy records. These Munserites put their
money where their mouths were, which was a good job, as the door deal (100% after staff were paid) was hardly likely to be a big earner.
Still, I think all present were well pleased with the result.


Unfortunately that night Letha was sick, and the crash pad we were presented with was fairly thick in cat hair. I did not envy her predicament.
I suggested that her and Dan take a double bed in the loft, but Dan discovered an insect of indeterminate species under the duvet, and understandably declined.
I grabbed one of the mattresses that had been packed together (bomb shelter style) on the floor of the room, and moved it into the kitchen. I then put on my jeans, socks, jacket, (with up turned collar) and laid the cleanest looking thing I could find (a shopping bag) under my head. I slept soundly until an angry arian burst into the room with the already infamous cat in tow, squealing to be fed.


Goodbye Germany, hello France!


Day Nine.


Who would've thought one could feel so at home among the French? Everything is relative I suppose.
The land of connossieur Gas stations was a most welcome change of pace. Beautiful scenery began to roll past our bird shit encrusted windows again, and I was
full of expectation for our visit to 'Jolie Paris'
Of course, we would have to actually get to the venue first. Luckily the drummer was an expert with the 'stick shift', and although he was near gibbering break down by the time we pulled up outside 'La Mecanique Ondulatoire' he did a great job. Claire, our promoter stood outside, wearing a skirt that resembled a belt. I didn't notice anyone complaining though, and I was certainly not going to be the first. Everyone was all smiles and bonjours, and the stereotype of the rude Parisien was quickly laid to rest.
After the inevitable descent into the basement (much cleaner than usual) we were confronted by a very pro-active French Canadian sound man. Would the wonders never cease?
The band performed an honest to goodness sound check, after which we set off in various directions into Paris. I was keen to find some good Duck Terrine, and did not have to walk far to find some. I perched myself by the Seine and gorged myself with the stuff, dozing off so that I almost completely missed the Pupils set. I came in on the tail end of the last song, and found them playing to a good crowd - especially for a Monday night. Things boded well for Das Menace!


It was a very good show indeed, with particularly strong versions of 'Swamp!' and 'Town Feeling' (Kevin Ayers) and the Parisians really seem to 'get it'. They were very forthcoming with their money after the show, and cleared the band out of a number of releases.
Accommodations were a distinct improvement too, and I got into bed in my underwear for the first time in days. I even got to watch Bear Grylls eat a spider in French on a flat screen TV!


I feel asleep harboring all kinds of passionate feelings for the great city of Paris.


Day 10.


Off to Bordeaux.
I was eager to see this city, having never previously visited it.
The scenery continued to beguil, and the gas stations continued to proffer up fare that one would only find in a high classed bistro in the UK.
Every now and then it would dawn on me that the salmon, herbs de provence, goat cheese and rocket baguette I was eating had been bought
at the French equivalent of a Mini Mart.


Bordeaux was another beautiful old city. Scrappy, but charming in the best way.
The promoter Ruth, was of the highest possible order - a veritable rock in the sea of wishy washy-ness that is the budget rock tour netherworld.
Her presence was infinitely re-assuring, and I found myself feeling almost 'at home'
I skipped sound check and strode off into town looking for a roadside cafe. Call me a tourist if you will, but there are simply some things that must be done in such a place.
After fending off several very aggressive beggars with curt reproaches learnt the hard way in the streets of London, I settled down to drink my coffee.
Sipping ostentatiously at my tiny cup (with my hand placed firmly over my wallet) I decided that the band would not miss me for the night. How many ear splitting
T.S Mc Phee- esque guitar meltdowns does one need to endure in a 10 day period?
Bordeaux offered up her charms to me in no uncertain fashion, and I spent some very enjoyable moments perusing the shops in town. The erotic outfits for sale in the modest red light district, were quite something, and if I had been a bit more flush with cash I may have been tempted to buy a studded catwoman get up
for my girlfriend.


Arriving at the club when Dan was already manning the 'merch' table I was surprised to find the place packed with attractive women. What a night to wander!
I had stayed until the bitter end during the sausage fests of Hamburg and Munster, but here I had gone on a jaunt. Silly bugger! Mind you, how was I to know that this kind of music could actually draw nubile females out of their houses? France, you mysterious mistress!


We then piled in the van, and made our way down several roads that were barely the width of a renault compact to get to Ruth's 'maison'.
And what a maison it was! The place was like something you would see in a Bela Lugosi film - with an ancient looking spiral suitcase, and rough hewn sandstone walls.
We drank some wine, listened to some crazy middle eastern music (from Ruth's boyfriend Stephan's collection) and attempted (with very little success) to use a French keyboard to send emails. All in all it was a wonderful night.


Day 11.


It was with some trepidation that we left France. It was unanimously agreed amongst the group that the 3 French gigs had been the highlight of the tour, and we wondered what Spain, and the Primavera festival had in store.
Dan confided in me that he considered the real tour to be over, as the Primavera shows were bound to be schmooze fests above all, and he fully expected the grounds around the stage to be largely vacated once their sets commenced. I listened dispassionately, making no judgments of my own. I had seen some strange things on this tour, and I wasn't too sure what I thought anymore.
France turned slowly into Spain, and we pulled into Barcelona just in time to return the equipment. The van would have to go back in the morning.
We drove some miles outside of Barcelona and found a hotel. Beers were drunk, and I was asleep by 12am.


Day 12.


Today there was no gig.
We returned the van early. It had been our prison for an average of 8 hours a day for the last 11 days, and consequently I was not sad to see it go. Tony practically ran into the office to hand them back the keys.
From there it was off into Barcelona - what a city!
I must admit that I got throughly lost, and ended up in some fairly dangerous looking neighbourhoods (note - Barcelona's hookers are not the cities best attribute) Still, the atmosphere over all was 'muy simpatico', and I felt full of the joys of spring.
I rented myself a small apartment in La Rambla for a fairly paltry sum, and set about getting pie eyed on sangria at various bars. It was a long and enjoyable night.


Day 13.


I awoke to find that I had a fairly severe headache. I'm not sure what they put in the sangria, but for a minute I was suspicious that I'd been rufied.
After going down to the supermercat for some ibuprofen, and swilling 4 of them down with cup of strong coffee, I started to feel connected with my surroundings again. By 12pm the city was right back in full swing, and I ventured back into it's 'raging torrents of life'
Das Menace had to play a show at 8pm, and I was loathe to leave Barcelona proper and enter the performance area. I had been to one too many festivals to get
excited at the prospect of sharing a chemical toilet with 15,000 drugged up proles.
I was having my 4th 'Estrella' of the day, when I realised it was time to make my way over to the grounds.
The usual flotsam and jetsam that attend these kind of things were swarming towards the entrance, and I stole myself for the task of becoming one of them.
Once inside, I made my way over to the appropriate stage and waited for Das Menace to appear. The band who played directly before them (who's name I don't recall) did at least two punk versions of Phil Collins' ode to the homeless 'Paradise' and I was beginning to lose the will to live when a grinning female flower child standing next to me handed me a damp brown joint with a vacant grin. At this stage in proceedings I was extremely happy to take it and inhale deeply.
It soon became apparent that this was what our friends in America call 'some serious shit' and my bearings were soon lost. I saw all kinds of terrifying things -
balding, potato like, minor rock stars in lumber jack shirts, someone who looked like a taxidermied version of Alan Vega, a huge inflatable cucumber wearing nipple clamps - - - who knows what was real and what was not!
Das Menace's psychedelic spew took me by the balls and shook! - I felt molten waves of violent otherness cascading over me, and I looked at my hands only to discover they were voguing. I laughed (what else could I do?) and turned around to see the original colonel from MASH standing behind me in a bondage mask (I don't know how - I just knew it was him) Things were beginning to get a bit intense. I looked up at the stage to see Dan shooting me daggers - -there were green luminous things coming out of his eye sockets that looked like those little pasta bow ties, and I decided he was definitely trying to kill me with his guitar. Tony, Letha, and Matt all seemed to be ganging up against me too, and I was convinced that they were all trying to finish me off with their respective instruments. Notes shot out and stung me deep in my synapses. It was not very enjoyable. After a particularly queasy shard of sound from Tony's keyboard lodged in my lower abdomen, I made a break for the porta-potty where I vomited extensively and exhaustively. I immediately felt better, and made a mental note not to accept drugs from strangers anymore. Had Reading 93 taught me nothing? Apparently not.
It was an early night for me.


Day 14.


I was a little sheepish after the day before's meltdown, but wasn't sure that any of the band had noticed. I was fairly concerned that they might have.


The gig for the day was in a beautiful park about 10 minutes drive from the hotel. We sat quietly in the van until Dan started to make some awkward jerking movements and everyone burst into laughter. Obviously they had seen me. I sunk my head in shame. Things were quiet for 5 minutes or so, during which time I remembered that my Mother had told me that the best way to discourage mockery is to laugh with your detractors - so I did. Unfortunately my giggles turned into maniacal laughter and finally tears. It was not the result I had been looking for.
Everyone slunk off into respective corners of the park and I went to the food trailer where I ate two packets of crisps and several tiny jam sandwiches.


The show was a good one, but I made sure to sit perfectly still as they played. No more dancing for old Nigel. I vowed I would never dance again.


We made our way back to the hotel and bid each other awkward and hasty farewells.
I had to get on a plane at 7am the next day, so I decided to stay away from town, and make do with lounging around my luxury (paid for by Primavera) hotel room. Everyone had been ranting on about the 'amazing showers' in the rooms - but being a bath man (I prefer to marinade in my own filth, thank you very much) I partook only briefly in it's supposedly mind boggling attractions. I then fell asleep while watching a spanish game show and woke up about 30 minutes before I needed to be in the taxi.
My luggage was mislaid on the way home, and I finally got back to my house late that afternoon to find that no one had watered my plants like I'd asked them too.


In closing, I think it is safe to say that I never got to pen the expose of the seedy nether regions of the 'entertainment' industry that I was hoping to.
However, I did learn a few things in my time on the road -
1. Constipation is unavoidable on tour.
2. Never engage a German in a conversation about the New Bomb Turks.
3. If you are going to have a drug meltdown, have it in your hotel room.


Signing off,
Nigel Rees-Moog.

Friday, May 27, 2011

Axemen's '3 Virgins' Double LP NOW AVAILABLE


FINALLY! After a couple of years in the RE-making, the Axemen's legendary dbl lp '3 Virgins, 3 Virgins, 3 Visions' (hereafter known simply as 3V's) is available for order. Originally seeing the light of day on the Flying Nun label in 1985, 3V's is a broad canvas of sound, seemingly channeling other likeminded cornerstones of fringe rumble such as 'Trout Mask Replica', 'Exile On Main Stree't & 'Tago Mago'. Just like last time (remember?) this is a limited edition run of 600 & housed is a stunning full color gatefold sleeve. Prices are as follows;
20$ppd-US
24$ppd-Canada
30$ppd-Elsewhere

*LIMITED TIME OFFER*

Add to your order both previous Axemen titles; 'Big Cheap Motel' lp + Scary,Part III double lp for only 15$ more! No extra shipping cost either!That's 3 more lp's! What a bargain!
(Just make sure to mention when ordering).

Paypal to; sltrx@pil.net

*AND WHILE YOUR HERE*

Check out this AMAZING 3 Virgins promo film shot back in the day by Lawrence Lens (Nux Vomica, Portage mastermind);
http://www.youtube.com/watch?v=Yv-iM_1h5uA

Tuesday, May 10, 2011

New Record, Archival Recordings.....Vacuum S/T 7" ep-GONE!




SOLD OUT
Although they only got a couple of spins around the earth's axis, Vacuum were the band who wrote the clay tablets from which all great Christchurch groups worth a plug would glean substance to formulate THAT sound. Originating in 1977 & consisting of members Bill Direen, Stephen Cogle, Peter Stapleton, Peter Fryer & Alan Meek, Vacuum perfected an aural symmetry that fused classic Nuggets, Roxy, Elevators & Velvets moves as a template & this unique plonk would become germane for all that sailed after. Deep collectors will recognize these tracks by name from various prior releases, but these particular recordings-culled from 78/79 rehearsal tapes-are being made available here for the 1st time, EVER. 'Kicks' would go on to become an early staple in Direen's Builders discography, but the guitar on this version is particularly & wonderfully unhinged. The beautiful serenity of Cogle's 'Shade' - masterfully driven by Meek's keyboard--is as crisp out of the gate as the later honed version familiar in the oeuvre of the Victor Dimisich Band. The real thunderclap of the bunch is 'Accident' (another take can be found on The Builders 'Beatin Hearts' lp) where it sounds like someone spiked the Tia Maria with peyote & as a result, the band has psychically disemboweled 'Heard Her Call My Name' & fed the guts to Amon Duul. I've said it for years, electric liqueurs don't lie!
One time edition of 300. File alongside; Six Impossible Things, Pin Group, Builders, Victor Dimisich Band, Above Ground, Scorched Earth Policy, Dadamah & Terminals.

Sunday, May 08, 2011

Mothers Day Poppies.....New Books By Michael Hurley & Byron Coley



In my time I have told many Canadian jokes, knowed many Canadian jokes & quaffed many Canadian beers (even 'skunked' Mooseheads) so I think I can say without equivocation that the Montreal imprimatur, L'oie De Cravan, ain't none of these things. To prove as much, they's has up 'n flug out two great collections of written words by a couple've fellas that's know more about what happen's at third base than either Brooks Robinson or Eric Weber. And that's a lotta ground, hombre, so take notes.
First up is a slim volume by Michael Hurley, one of America's most well loved rascals.Everybody's crazy about him, from Cat Power in NYC (whose covered a tune're two I's been told) to Esto Setty over near Lynx Prairie (who sold him some cider blocks what I seen myself). And since I know's you's all know's who he is, I ain't gonna ramble on about his discography 'n such. It is without peer. This book what's title in English, (bein that these bks is from Montreal-the hub of the QC-they's also French translations as well, viz, bilingual) is 'The Words To The Songs Of Michael Hurley' & it couldn't a more handsome chapper. L'oie De Cravan done this up swell; alls calligraphed by Doc Snock himself + what's also occasionally accompanied by colorful illustration're two. My favorite'd be 'Ohio Blues' what's from the 'Sweetkorn' cd. Why? 'Cause I's been to Portsmouth O-Hi more'n enough times in my life & if Snock don't nail the grimness of that river town (& the desire to flee), then I ain't Kentucky's most forgotten boy. Dead on forward notes by Byron Coley too.
And speakin of Mr. C, this next book's all by him! It's name is 'C'est La Guerre; Early Writings 1978-1983' & it is a tottlin ride through the LUSH green pageantry've the Samuel Pepys of Amercian Punk. This fella damn near single-handedly chronicled EVERY vinyl spurt what was in the buddin years of Hardcore, not to mention carryin on about all manner've noise yokes what almost no one else gave shit, let alone champion. Neither Bushwacker nor Jayhawk, he seen the intrinsic GOOD in most all comers-no matter they's burden-& any what followed his hunch was better for it.What you's get here is some letters, photo's 'n illo's, cherry picked reviews what was run in NY Rocker, Take It! & LA Reader, basically an all encompassin tableaux into the burgeonin (yet already keen) mind of one the best set've eyes 'n ears ever to peep 'n pop in the dank culture of anyone's Underground. I would've liked to've reread that Flesheaters diary though, maybe next time.
Mike Watt waxes poetically in the introduction like the imaginary son of Jack Kerouac what ate one of Robert Creeley's Sunday chickens. I was near driven to a fricassee, but in honor've all's, I opted instead for a cauldron've poutine (extra curds if you will, Garcon! Gravy too!) & a confiscated keg (my people's in all the right places) of L'amere A Boire pilsener. After all, it is Spring. Gotta start thinkin LIGHT.
Contact via; lent@oiedecravan.com & http://oiedecravan.com/

Sunday, May 01, 2011

Divots In The Tarmac.....Mad Nanna S/T 7"


Before rock-fluff wimps had to codify it as a genre so they's & other likeminded weakings could come to terms w/the phenomenon known as Guided By Voices (primarily), 'Lo-Fi' was just an accepted outlet of expression. It didn't need no definition, it weren't a miracle, simply, it was just another anonymous workin stiff in the musical milieu. Some's referred to it as DIY, but that acronym was usually slotted for UK bands from a specific era. Shamblin, theadbare, amateurish, these was all traits what could be associated w/self released records 'n bands, even now. But since the mid/late 90's, 'Lo-Fi' has become alternately both a blessin & a blight when it comes to Pop consciousness. By it's very existence it has suffered (both pro 'n con) the idiocy (& fools) of musical gentrification. It can't just BE, it has to BE SPECIFIC. Branded if you will, the final insult. It is the way of the world, you can't get around it. Well, one can, but they'd have to come live here with me. Which one can't. 'Cause if that happened, they'd soon disappear & unlike "Lo-Fi' the chances of anyone ever hearin from you again would be nil.So go put that in your Fader 'n smoke it.
Lordy me! Am I ridin a high horse or what? Must've gotten up on the wrong side've the hammock today. But it ain't like I'm spoutin bullshit. I reckon the worst part've the whole business is how now you's got bands tryin to purposely sound shoddy cause they's think it's hip. But what do I know? I'm an island dweller & couldn't give a goddamn about any of it. I like what's I like cause I like it. How's that for defined?
And you's know who else's of the same mind? Mad Nanna. They's function in the Albert's Basement universe down to Victoria, Australia 'n the spuzz they's released on this 7" is a dandy. Even in a country w/a scene that's blowin up like the Oz one is, still ain't no one what sounds like'em. Imagine if that band, Even As We Speak was struck by lightnin & on account, forgot all's they ever knew. Upon relearnin to play, they's used a cassette recordin of File Under Pop's 7" for inspiration which went beyond therapy 'n became THE GOAL. It also kinda sounds like a Falling Spikes bootleg what had been caked w/mud & laquered onto vinyl. Definitely Lo-Fi, doubtfully hip. No matter, it's still a glass what's half full of life's lemonade that's sweeter'n a Soave spritzer. Glug, glug, glug.
Find out more here;
www.albertsbasement.net/mad-nanna/

Thursday, April 28, 2011

Sing A Song Of Sexpants.....Trophy Wife's st 7" ep


Hey now, I damn near missed this little record what had fallen outta that White Boy box! It's a mysterious private press looking thing by some outfit what's called Trophy Wife. Do tell! As a matter've fact, I'm oglin up a couple right now (my own, not the band). They was nice enough to include a press kit, jabberin about Spector girl groups, Gun Club, Birthday Party, Southern Goth.......oops, sorry about that. Had to take a break. Them real trophy wives needed some Woodbe time. Huzza!
Um.....oh, right, this Trophy Wife band has a cool detached sound, though none of them references they's claim to convey was obvious to my ears. Ethereal they is too. I's was transported to a parallel world, one where that Janet & The Johns was all Janets, Amos & Sara was Sara & Sarah & The Liggers was The Liggers was The Lexie Mountain Boys ('cept they really WAS boys what had they's dingle's snipped to sing high, you know, as in girlish voce).When you think about it like that, all the spooky talk of Civil War cemeteries 'n hauntin spectre's makes sense. If someone when 'n cut off part've my pecker, I think I'd develop some idiosyncratic musical styles too. But like I was sayin, there's them trophy wives just yonder that can tell you's I'm as healthy as a horse. But not now, they's sleepin, SSSSHHHH!
Trophy Wife can be contacted here;
www.privateleisure.org

Hard Headed Shredder.....White Boy & The Average Rat Band S/T LP


My eyes did a double take when I see this record perched in my mail trap (they's ain't got no word here for box near's I can tell). Good lord I was happy, only cause I'd been lookin for a copy since Robin Yount was a five figure Brewer. The writeup that Roach Records put togther kind've says it all, 'cept I ain't got a damn clue what's Lamour is (or was) or's this Meanstreak they's reference. I guess I'll have to get to investigatin'em! Wouldn't wanna miss out.
Some nimble-toed piker once tried to tell me this was the same band as Mr. Ott & Jake Whip had but I'd knowed that was a sack of shit 'n told him about it.He made a mess in his drawers what stunk up the bar to high heaven, but at least he's still around to deny it. The real word is the band ain't but one feller & he hired them others on the front to look all tough. It sorta works. Takes me back to some dumbshits what tried to tangle w/yours truly in Parkersburg, WV in the early 80's. None of'em even seen the blade they's surrendered to, let alone feel it. Ah, youth, to be wasted so young. Feel free to quote me on that.
So White Boy & The Average Rat Band.....hard to say exactly where they's (or he) was comin from but know this; when it wants to, this lp is as wild as a peach orchard hog. There's also some screwy ballads goin on ('Oriental Doctors', wow! Too bad Tommy Bolin ain't around to here THAT one) + an outta nowhere acoustic number too. Locked into some current that's more metal than punk, it ain't no joke, as funny as it may seem at times. In other words, Nig Heist it is not. I'm hip to the Kenneth Higney reference too, and Michael Schenker. It woulda been cool if Kenny'd aped Scorpions more than Cat Stevens, but he didn't & behold we's got both 'Attic Demonstration' AND this here White Boy lp. How's are any of us worse off for that? The best of both. Now if only that Higney lp would get rereleased.....
Find this brattled gem here;
www.fusetronsound.com/

Wednesday, April 27, 2011

Just When You Thought It Was Safe To Strum The Four String Again.....TWO new releases from Bill Orcutt!


Did you's know? Nope, nobody did! Had no idea these was to drop, but that's ain't such a surprise, givin my current surroundin's (at present I's is sittin tight on an outrigger in the middle of the Pacific Ocean, writin on a borrowed Polynesian Blackberry). And whose am I gonna share my enthusiasm with anyways? Ain't no one's on this boat, I can guarantee! They's all hopped up about a tuna run, so off I went, but weren't gonna let'em interfere w/my deadline. I'm a multi-tasker from way back.
So yeah, these 2 7"ers is ever rawer & more open then them previous 3 releases what's now artifacts've legend. Could've been done in a live setting (gallery style perhaps) or direct recorded in his studio (shoes optional I am told). They's seem to function as a set, or pair, HEAR YE, one's could even conceive of'em as twins. Like Remus & Romulus; suckled off the teet of a wolf, founders of Rome, the most famous Feral Children of all Mythology. Now's I ain't insinuatin that Bill's playin 'n vocal harmonizin is feral. But most of the cat's in my village is & when I was playin these last night after (ANOTHER) lobster feed, it was liked the feline doomsday clock struck twelve. Course you gotta imagine the superb resonance of guitar & moan on these dudes; cranked up (what other way would you suggest?) they's sound like battle scenes culled from a Kurosawa soundtrack (Throne Of Blood, for instance) but instead of human actors, they's REAL gnarled up old tomcats attackin rats across a vast landscape of ravaged sinew. Bearin that in mind, dig, that when them tunes hit the public airwaves (my DJ stint's here is already big stuff)it was like a collective panic set in, just about ever critter w/claws went screamin outta sight & into the bush for fear! It was so mind rattlin I was forced to stop playin'em. Chickens was runnin around, cluckin they's little, dumb, heads off, shittin everywhere. Cat's howlin from trees, dogs bayin from the cliffs. All the parrots 'n every other bird what could, lit out for some faraway island.I even found a herd've goats what had cut themselves off on a crag, CRYIN! Yep, they was bawlin like newborn babes. Who's have thought? So I reckon let this be a lesson to any pet owners out there; DO NOT PLAY THESE RECORDS BEFORE A TRIP TO THE VET. Hell, you might as well just feed'em a rasher of bacon & let'em check out happy. Because everybody loves bacon. Even a toad'll eat it.
So's anyway, I guess I ain't gonna get a repeat listen to'em anytime soon. Maybe on headphones, if I could get me some. I'd like to post photo's of what house these stupendous, Herculean efforts but I was told not to. Said so in the letter what come w/em, let me read it aloud;
"Hey Roland-
Here are new releases. The pressings are small on each. Right now they are being sold only at shows. No need to review them, but if you must, I understand. Just please no corresponding artwork!. Thank you Roland. Your thoughts count, most of all to you."
Cheers-
B.O.
Not review'em? A leopard can't change it's spot, can they? I had to tell you's about'em! Shit, writin words 'n stringin folks along is what I's do best(internet speakin, that is)!
Which reminds me-Mr. Bill also included in his package a chocolate flavored condom. Now I can't say's if that's a joke, but considerin how he's the evil Dr. Doolittle, I say's he knows that the vendin machines in Kolonia ain't near what they's is in San Fran. Just goes to show that when some folks say 'fuck a duck", well, they mean it.
Contact Bill Orcutt via;
http://palilalia.com/.

Monday, April 25, 2011

The Livin Dead, Indeed.....Violent Students 'Party Addiction' LP


It is to my great & everlastin dissatisfaction that I's never got to a Violent Students gig. But they was windin down in Philburg as I was gettin wound up. Anything about'em seemed to be word of mouth & ever now 'n again I might find a cdr or hear tell of this're that. A slim but prime discography to be sure. And who could ever forget the artwork to they's bigtime debut COMPACT DISC for Parts Unknown? Just about the LAMEST design to ever prance down the promenade! That is until The Chickens released they's work of 7" genius on a label but a stone's throw from this Blog. Oof! It pains my eyes to even think of THAT cover.
But I's always said Violent Students needed to have an lp, a crucial, vinyl document on how they's put their there there. And this 'Party Addiction' is just sucha beast. Evidently culled from a recordin of the final live performance + a recroak of the 'A Handy Magician' cassette, there's is two ways to hear 'n assimilate this masterpiece of gunk; as either wretchin your way through Cro Mags demo's played at half speed w/a tummy ache (too much veganaise on the non gluten tater tots will do that!) or as Hajokaidian convulsing in spasms from mercury poisoning while coverin Psycho Sin's entire output. No way to know how your wired friend, but from my culture bunker this is win/win all the way home. Dig it here;
testostertunes.blogspot.com/

Somersaulting Coincidences.....The Wonderfuls S/T 7" ep


There's been this fanzine what's sprung up down to Australia called Negative Guest List & it's got lot's of crows crowin. Which is a good thing. 'Cept I am a sad fuckin sap & ain't even seen an issue. Ever! The feller what's behind it, Mr. Brendan Somethinorother, seems like a straight shooter though, so's here's hopin such a glarin oversight is rectified soon. But then before I's could even get a gander at page one he's gone & released a 7", usin the street cred of the NGL name as collateral. Hmmmm, now where have I come across this business model before?
Anyways, the Wonderfuls s/t 7" is a humdinger & a half. Purported to be the work of 2 cousins-one's of which is mentally unstable (LOOK WHO'S TALKING?-Capt'n Siltbreeze)-these 4 tracks rank this hoss high amongst the recent Aussie imports. It has a deliciously skewered crackle that recalls 4 different bands what was citizens within the Terse Tapes universe 1 million art-noise punk years ago. I mean listen to it! At any given time they could be Holiday Fun, East End Butchers, Agent Orange, Pastel Bats, Invisible Boys, Wet Taxis, Lazio Toth, Lunatic Fringe, Mice Against God, Pissy Relay Switches, Mesh & Disneyland but never Bathroom Beans, Art Throbs, Mindless Delta Children, Junk Logic, Painkillers, Saxaphone Caper, Zzzzzzzzz, The Klu, Negative Reaction, Laughing Hands, JP Sartre Band or Disneyland. It's a slippery slope, you know? But The Wonderfuls sound like they's squiggle is just right.Let's hear more! Long may they swish.
Via;
negativeguestlist.blogspot.com, www.goner-records.com
& ineedinsulation.blogspot.com/
THIS JUST IN: Contact Mr. Negative Guest List here-dirtyalley@msn.com

Friday, April 22, 2011

Exit This Roman Shell.....Chora's 'Slates' lp


In a sort've amusin way, it's hard to know (or recall) if the phenom known as New Weird America simply ceased to exist ( vague Manson pun intended) or if the majority lit out in retreat w/all the grace 'n elan of despots forced into exile. Oh, they's some still out there, strummin away, talkin they's post Beat patois & you know...that's just fine. After all, them's what's still struttin, it's like they's was granted peerage. And you don't expect folks what go around believin they's some kind've alt/music Count(ess), Earl (ditto) or Baron(et) to just relinquish cape 'n septer & walk away, do you? 'Course, all this titlein was done by Straw Kings & I bet it was a grande olde time while it lasted. Now some's seem to be more or less banished (when was the last time anyone heard from Lambsbread? Ding!-rhetorical question) & lot's of would-be Lords 'n Ladies in waitin should breathe a sigh've relief they's boat sailed into harbor post facto(just about every occupant on the USS Not Not Fun for example). But in the end, it happened, & by the by, we's is all better off on account of it. Think about that for a spell. Go ahead, mull it over. No need to get back to me. I know the answer. Here's a clue-its true.
So how that gets us to Chora....well....I suspect they was present at a few banquets once upon a time, but you can't let petty grievances (like musical politics) corrode the whole kit & caboodle. Take this posit for instance; we wouldn't have no nuclear bombs're space program were it not for the help of Werner Von Braun. And you know what he was, don't ya? That's right-A SCIENTIST.
So bearin that in mind, my ears 'n nodes was pleasantly pixilated when I got the Chora lp what w/it's imaginative, textured & (seemingly) improvised rummagin. There's some great density goin on at times, also effective use of trance 'n drone, pleasant passages segue into harsh walls....I dunno, it's like if This Heat had created an lp specifically for the Shandar label. And if THIS 'Slates' (don't tell Mark E. Smith!)was recorded at Cold Storage, well then, pluck my chest hairs 'n call me David Cunningham! Neat stuff through & through. I look forward to hearin more.
Get it here; www.fusetronsound.com
&
www.tediumhouse.com/

Wednesday, April 20, 2011

Hessian Psych.....Sunlore's S/T lp


Can't says that I's make it up to Bucks County much, 'cept in late summer w/the heirloom tomaters 'n silver corn's in season. Some roadside stands over to Lambertville's always got just about the best I's ever had, year in, year out. Even the squash ain't no runts.
New Hope though.....just never seen the point. Oh sure, been there once, this here's what I remember about it; burnt chicken (aka 'Buffalo') wings, some French onion soup what tasted like it was made w/ketchup, watchin a rolly-polly gnaw on an ice cream biscuit,bikers on foot, a marble outhouse, dandelion wine, weak margarita's,lavender scented everything, lot's of jabberin, no parkin & a record shop run by a confused & bitter person what was tryin to sell a 10,000$, 10" acetate by an "unknown" rock band. So you tell me, what am I missin?
But eventually somethin good's gotta germinate, even there. And I reckon if nothing else, the spark what's piqued my interest is this S/T lp by Sunlore. Not that I'll be bustin a gut to visit'em if I ever get back that way, yet I ain't so cold hearted that I don't rejoice in what they's tryin to push. And what's so goddamn enjoyable about that is figurin out exactly what's spinnin; not just on the turntable, but in they's collective noggins. First go I could conjure them all sittin around a table, reading them Walter Wegmuller tarot cards while listenin to Toiling Midget's 'Deadbeat's. Since then I's heard sounds what resemble: the X/pressway Allstars muted rock opera on Beak Doctor, the unrecorded Hovlakin instrumental lp, Danny & The Dressmakers reinterpretin Manuel Gottsching's 'E2-E4' & Coloured Balls snorin through Marshall stacks. Which is all very much to my likin. They's also got a sideways/"sister" lp/band what's called 'Heartland' that thinner skins claim to enjoy (or is it, understand?) more, but from my vantage, there's fun more in the 'Sunlore' Find'em here;
http://www.tequilasunriserecords.com/id36.html
www.fusetronsound.com/
Contact the band here;
creamofturner.com/

Tuesday, April 19, 2011

Dropout Boogie.....Crazy Dreams Band 'War Dreams' lp


Call it intuition, but somethin tells me that Crazy Dreams Band ain't gettin nearly none of the attention & accolades they should be. I've been sayin for too long (usually in a mirror) they's about one of the top, best live bands you could wanna come across. And this latest lp on Holy Mountain has been gettin muchos spinnos on my Polynesian hi-fi & that ain't likely to stop anytime soon. Good stuff? No, GREAT.
Likes many a dandy combo, what you see (live) & what you get (vinyl) is slightly different. In the flesh the angular blues thud 'n rumble is akin to Magic Band + Doors hybrid & Lexie Mountain couldn't be any more've a transfixin or versatile front person less she was dead 'n shrouded in legend. But w/her float 'n sting attack, I'd say she's gonna be boxin ears for as long as she can embrace (or stomach) the jaded pea brains & attention deficit dipshits what's sprung up like weeds all around. Whatever happened to discernin tastes? Sadly it's just legions of deaf & dumb. And hell, here I am, ensconced out on a spit of an island, middle've nowhere, nothin but records,wi-fi, a chili butter poached lobster, ice cold tub've suds 'n two lovely "interns" to keep me jazzed & even I know that is a CROCK. Whoever said 'it takes a village" must've been talkin about the one of the damned.
But enough soapboxin. So since ain't no one has paid the Crazy Dreams bunch no mind-at least on they's sophomore effort-allow me to elaborate. 'War Dreams' isn't really an extension of the 1st one. Nope, it's a completely new kaleidoscope of sounds. Which is to say if you was confused by the S/T effort, this one could be more in your comfort zone. How would I know? Can't says that I do, but my reckonin is if you's is someone what get's down 'n can slither w/the likes of Tractor, Gunjogacrayon, Älgarnas Trädgård, Medicine Head, Equal, Checkpoint Charlie, Stackwaddy, Brastburn, Hampton Grease Band, Occasional World Ensemble, Totsuzen Danball, Ahora Mazda, Moohlah, ZOA, Mad Tea Party, Plastic People Of The Universe, Far East,Third Ear Band, Xhol Caravan, Karuna Khyal, Brainticket AND Stone The Crows, well.....this platter've prime dunt oughta fit into your greasy repertoire like fried chicken on a waffle. Syrup is optional. Available here;
www.holymountain.com/artists/crazy-dreams-band/
contact the band via; www.myspace.com/thecrazydreamsband
or
http://www.facebook.com/pages/CRAZY-DREAMS-BAND/401336445148

Monday, April 18, 2011

Meanwhile, In The City By The Bay.....Tom Darksmith's 'TOTAL VACUUM' lp


You could fill Love Canal all over again w/drums of crud I don't know about Tom Darksmith. Sometimes motivational speaker (under the alias, 'Tony Coinpurse'), mild mannered hotel concierge, illustrator of pen & ink illusion, sure, these is all common knowledge. Maybe not so common, I mean, go to his blog 'n look at them pictures!. And his fiscal philosophies, the one comparin money to water is what got me drawn in. I've sat through 2 of his finance symposiums-'How To Stretch A Dime Into A Dollar' & The Three Dollar Bill;The One That Got Away' & I gotta tell you's, I coulda listened to that guy talk ALL DAY. So when at the end of the latter (SF Marriott downtown, date now unknown, dammit!) he was promotin a solo lp, I was right there, long green in hand, ready for the fork. Once transaction was achieved, I got it back to the safehouse & gave it a whirl.
Seein how it was on Hanson, I knowed it was gonna be good, but wow, I guess I wasn't prepared for the organic leap backwards into the future. Referred to as field recordings, Total Vaccum is a masterpiece of abstract aural fog. Blankets of sounds-forebodin, mysterious, beguilin, encouragin-envelop your being through both sides, drawin a line in the sand, darin you to come along. I was reminded of past recordin artists what belied similar, subtle, subversions; Bladderflask, Organum, Illitch, Semool, you know, THEM sorts. It's the kind've lp that when it's on, it keeps the sun stilted just so. And when your hide tans like mine, that's a friend indeed. Check it out & be sure to visit Mr. Darksmith's site while your at it too;
http://momcostume.blogspot.com/.
www.hansonrecords.net
www.tediumhouse.com/

Sunday, April 17, 2011

Di Giga Do Tinaanaa E Bilau Ni Iga Bobo.....The Return Of Roland Woodbe!


It's said that the openin year of any decade is likely to be a whopper & 2010 proved to be just that. I ain't talkin musically, hell, when it comes to that, it was just same shit, different outhouse. Course it may've been a different matter had I been closer to the scene, yet I can't be everywhere, as hard as I try.But mor'on that later.
As y'all is painfully aware, we's gripped by terrorist fever worldwide. Perhaps it's my nature, blurred & blunted via my various personal exploits, what's more or less crawlin through the bowels of evil & rippin out they's intestines (or worse). I have torn out more steamin coils've addled entrails than one of them fantastical bird-eaters in a Bosch paintin. Imagine a house party on Austin's east side durin a (non sanctioned) SXSW function. Now picture cuttin a swath through that rabble in the middle of the night w/nothin but a saif. And instead of vacuous dipshits sportin warm 40's, it's rabid, bearded bastards w/bombs! It's us unsung fellers whats keep our country free of inscrutable tyrannies so's a band like-for instance-Kurt Vile & The Violators can tours 5 weeks at a time & not sweat them (free) cold ones. Now if they's had an off night or someone's got a bone to pick, that's on them. But your gettin le picture, correcto?

And the funny thing is, I was alls set to give up the life this yr. Then Ranger X come to me w/a dire plea & there I was, in the thick of it once again. This time the wretched excess took us into Micronesia, which is just about the last place I figured I'd be chasin trouble. Seems some errant faction at the behest've this half-cocked sheik (whose real title cannot be divulged) had gone & set a bunch've goons into the islands w/the intent of eventually gettin into Yap & stealin a Loran-C transmitter. So's Ranger X & I was dispatched in as Peace Corps workers w/orders to infiltrate & destroy said sect w/extreme prejudice.
I gotta tell ya, for the most part, it sure is right nice in them islands. The folks don't care about much-mainly just gettin by from what I could see-but we's learned how to fish in outriggers, I was honin my skills by spearin lobsters in the coral reefs, why I even learnt me a fairly knowledgeable amount of Yapese & Woleaian languages. In regards to the latter,I'd have never though my Latin background would've come in handy in such a place, but that only goes to show. After a while I was even barter'n in they's stone money & was savvy enough to earn me a 12' disk (fancy that!) alls my own. Never mind they's would never get my name right,thems all knows whose money that is.'Mr. Rowan, Swolan, Bolan", howsever they refer to me, ain't no one gonna bone me outta my "wealth". And I appreciate'em for that.
But then come the call. The desert infidels had made it on land, time for us to vamoose. So's we was spirited way off to Kapingamarangi, a good 3 days journey east. I'll tell you's all what; this leg of the mission made that 1st bit seem like we'd been coddled in the lap of luxury. It was some primal livin, but we was there to teach & learn. Well, in a spy sort've way. Got met up w/our Kapingi cohorts & they's was quite a lot. There was Hawaii Henderson (an expert w/machete's), Rommel Pickey (an amazing tactician & also master of Tuba, a fermented coconut drink) Sackius George (this feller knowed his way around the various lagoons, reefs'n whatnot) + Montgomery Conrat, Patton Tintin & Amila Tenten (the 'doctor'). It was beginin to look like our own private 'Bridge Over The River Qwai' except we didn't have none of them geisha-lookin women givin massages 'n whatnot likes in the movie. No, alls we had was betel nut & this nasty concoction Monty Conrat would make called Sakau. I couldn't tell you's exactly what it was, but it involved some root of a pepper plant what got ground, then mixed w/water, then strained through hibiscus bark. This would yield a slimy brown sludge one might associate w/the contents of a septic tank, but for them, it was the equivalent to a Quaalude mudshake. It was also a prime source for dysentery & cholera I was told & the reason these fellers was picked for our mission was on account they's was impervious to the side effects.And after a long day of machete fightin, jungle runnin & map makin, you can't blame a feller for wantin to wind down w/a cuppa-even if it did look like they'd shook a colostomy bag into a cup.

After a couple weeks of trainin, the team was ready. All us trudged aboad Sackius' boat & made the journey up to Pohnpei where we's would hang tight till word come in as to our D-Day. And we weren't there long. As an aside I gotta tell you's all this-one night in the 'VIP' section of some wild ass bar there I met the President.Now, I knowed he was someone of substance. Hell, ain't every feller in Pohnpei's got 3 painted ladies hangin off of him as he yammered very loudly, orderin rounds've beer for the house. He was dressed down in some old (read; vintage) track shorts, a starchy white wife beater, little black socks & a pair of homemade (read; organic) sandals.He got to eyein me up so I went over & broke the ice. "Excuse me sir", I said, polite as could be "haven't I met you before in Williamsburg,Brooklyn"? He sort've sputtered for a second, then lifted his head back, eruptin w/the loudest roar of laughter I's ever heard! Thick as thieves after that we was. The Woodbe charm strikes again.
But the fun come to an end not long after. The goons was on the move back over to Yap & we had about a weeks worth of travellin to do what to catch up. So off we went. It was Katey bar the door; no sleep, just pure adrenalin, we skimmed along the Pacific like a flat rock across pond, makin time like bat's outta hell. Once landed, we got situated & hunkered down for the wait. Bam-we got alerted to a samll boat of armed individuals headed into a lagoon near Rumrung. We's stealthily made our way into the village, our intent was to surround & eradicate. No prisoners, no alibi's, no mess. Them dopes may've seen what they's was tryin to do as Allah's will (or whatever), but it was a fools errand, plain & simple.See, what them terrorists didn't know was all that Loran shit had been dismantled & moved way back in the late 80's! With any luck it was gonna be like shootin fish in a barrel. Long story short; it was, mostly. But a couple of them buggers got away. We was able to trace'em to Palau, only to find out later they was scoped out by a couple locals on Airai who chased'em into some mangroves where (evidently) they was eaten by saltwater crocodiles (no bodies was ever found). So.......CASE CLOSED. The Ranger & I did our share of celebratin afterwards. By now we was back in Guam, under the watchful eye of the powers that be, but even they's will look the other way for the odd patriots, & I do mean ODD. Ranger X eventually made it back down to his compound in the hill country of Texas, but I decided to head back to Kolonia where a Mr. Mister (honest, that's his surname. The president's right hand man. He's never heard the band, which is why they's still alive) had me a fancy suite w/all the proper "accomodations". And it's where I's remained since. I told Capt'n Siltbreeze to send my records & all over here so's I would get back to music writin & make an honest livin again (HA!). I thought maybe this yr I'd do a proper 'best of' for last, but boat mail is only a scant faster'n a snail, so's I'm just gettin what's alls been saved. And if it's alright to you readers, I will commence to the have's now & save the have not's for later.

So now it's well into April & I ain't got that list, least not YET. I'll be postin'em-my best's (or close to's) come this week. I's just been so damn busy w/my new venture; a slew've pork sandwich & taro cake (fried banana's too) stands along the beach. SNOUTS is the name & while's it's stictly word of mouth, we got a steady clientele. Ranger X done come back too & head over to Yap to help this fellow Texan start up a microbeer company. 'Brio Beer' it's called.Again, under the radar, but that's how we role.They was able to get some hops from an old CIA buddy on Samoa, took over some old warehouse, built vats, kilns just about whatever they needed. And presto, we's got our own sustainable scene goin on. Even got Rommel Pickey doin some picklin & I'll be damned if Mr. Mister don't have a yen for bread bakin. And who knew Monty Conrat'd be such a whiz at whippin up mustard & various other condiments? Hell, It's only a matter of time till we's got tall bikes, leash laws & the girls is wearin wellingtons at the mere mention of rain. Maybe even pizza!
But enough about how all 'n all great MY life is. I'll be gettin back to review writin tout de suite. For the record, I like the Iceage lp fine, though I don't see's how it's construed as Hardcore. But I never claimed to be no Stretch Armstrong neither. Now where'd I put that writin quill?

Best wishes from Paradise,

Roland Seward Woodbe

Monday, February 21, 2011

Dan Melchior-Assemblage Blues lp.....Available NOW


If nothin else, the 'Assemblage Blues' found on this here new Dan Melchior lp sees our hero revellin in a tableaux thats as far away from the Kentish curds of Medway twang as a Carolina Hush Puppy is from a Boston Butt. Though what is interestin about this rasher of fried tuneage is how Dan's done gone & conjured up a brilliantly abstract narrative that's almost like a displaced tellin of The Canterbury Tales. Is it them whiskey biscuits, or can I hear fragments in the tellin on 'Atomizer' that reminds me of the one whats told by the Knight in the books beginnin? And on goes, right through to 'Breadbin Wailing' which is more or less the Parson's Tale w/a black crow (lit up to look white). Now I admit, I am one for fancy & have been known to channel my parchedness via goblets 'n steins've all distillations in the spirit world, but stamp my fanny & call me Temperance Tad if this stunnin set've songs ain't about the best squadron of aces what's flown onto the Siltbreeze tarmac since The Shadow Ring's 'Put The Music In It's Coffin' & Jim Shepard's 'Picking Through The Wreckage With A Stick'. There wit, there's whimsy, by jove, there's darkness, recollection & revenge too. It's all manner of the human condition. Don't bottle it! It'll only blow up in your face, too pure, like greased lightnin. Why it'll melt that wallet chain right clean off them scuffy jeans of yours, I'm a tell you what. Yep, anyway you look at it Dan's gone won the blue ribbon with 'Assemblage Blues'. So pony up & have a slug.It's here to coddle your cream, but GOOD!

Roland Woodbe, Expert Mixologist

This is an edition of 500 lp's,includes free download card as well.PLEASE NOTE; a portion of all blog sales for this release will go to the Letha Melchior Donation fund.

Prices are;

15$ ppd USA
18$ ppd Canada
25$ ppd Europe
28$ ppd Australasia

Paypal to; sltrx@pil.net

Sunday, January 23, 2011

http://melchiorfund.blogspot.com/

Wednesday, September 08, 2010

Kito-Mizukumi Rouber.....MIDORI MUSHI SAN CONNICHIWA 7"ep-GONE


SOLD OUT
Plucking Kito-Miukumi Rouber's lp out of an anonymous year end frying pan & into our Best Of 2009 fire seemed to confound toady taste makers & blog plonkers all around Hipster Haven. To them list's are a crucial element of.....something, & let's face it, peeps love list's. Sales are generated, no argument there. Why, I'd wager that ringing endorsement of 'Otonaki Touge De Hagureta Kmr' was instrumental in said lp essentially going from under the radar to out of print by early 2010. Fancy that!
And now here we are, almost a year later & Siltbreeze is proud to offer it's followup; a 5 track 7" ep entitled 'Midori Mushi San Connichiwa'. If your a fan of the lp, I can't possibly see how this won't be in your wheelhouse. For the unfamiliar, K-MR's sound seems informed by old school Japanese genre snuffers such as Tako & Gunjogacrayon. Combining the jabbering, pan humanoid outthereness of the former w/the zoned, riffed, mutant indifference of the latter, K-MR have created a toxic, dripping blotter of sound that is most appealing to those of us who luxuriate in the humidity of the 1%. Plus, as an added laugh (their's, mine, yours, ours) they've tacked on an eerie cover snippet that is a stab in the heart to every campfire singalong & folksy hootenanny through time immemorial. Absolutely tremendous! Released in an edition of 286 to commemorate the year in the Japanese calendar when a wise man went to see the Emperor about a horse.

Monday, June 21, 2010

A Defining Moment In Definitive.....MIKE REP & THE QUOTAS-Stupor Hiatus DBL LP OUT NOW!


Some of you may recall the 1st Mike Rep & The Quotas retro lp that saw the light of day in mid 1992 (entitled Stupor Hiatus Vol. II). Culled from tracks spanning 1975 to roughly 1989, that release snakebit more than a few forward thinking pinetops w/it's baffling French themed jacket art (swiped from an extant Franco dollar bin staple) + the post Third Republic lyric translations. C'est quoi ce merdier ? And how many of you knew WHAT the 1st Stupor Hiatus was anyway (answer; an early 80's 1 issue fanzine published by Mike Rep, Jim Shepard & assorted friends. Your welcome)? But as we're fond of saying around these parts "It's Mike Rep....you want logic, beam down Mr. Spock".
Anyway, cut to 18 yrs later & finally a return to form; all the tracks previously available on the aforementioned lp + FIVE other obscure (& some previously unreleased) gems now in glorious Rep-Fi & a sweet gatefold jacket to boot. It is as it should have been all along. Also includes a free download card as well. Limited edition of 1000, prices are as follows;

US-20$ PPD
Canada-23$ PPD
Elsewhere-30$ PPD

Paypal to; sltrx@pil.net